Mr. Pink (
pinkeffinprofessional) wrote2011-06-24 08:20 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(no subject)
So John fucking Hughes.
First you've got Sixteen Candles, which was a fucking bitch of a movie to get through because of the fact that Molly Ringwald spends most of it whining about how her fucking family forgot her birthday. Then you get on to a movie like The Breakfast Club, which is like no high school I've ever fucking been to. What's up with this Molly Ringwald chick, anyway? Is her pussy made of diamonds or something? She's a decent enough actress, sure, but then he casts her again in Pretty in Pink and we're expected to believe she isn't boning Hughes in her free time?
What happened to her, anyway?
["I think she got fat."]
Okay, so Molly Ringwald's now a cow. Anyway, John Hughes. He wants people to believe that Americana is some fucking wonderland of teenage morality or something. Even fuck, what's his name, the kid in the Breakfast Club whose dad beats him up, whatever, he's practically a fucking saint compared to the kids I grew up around.
["Maybe you just had a crappy childhood."]
Look whatever. Point is. John Hughes.
What the fuck is that guy's thing, anyway? I mean then you got Ferris Bueller and the fact that I'm pretty sure that him and his girlfriend were just the psychotic products of that Cameron kid's imagination. I mean you notice that first off, Matthew Broderick spends the whole movie breaking the fourth wall, and the whole fucking town just buys into this playing hooky shit. Anyway.
["You done?"]
Don't fucking tell me you like that Brat Pack crap.
[ooc: Conversation with a bartender.]
First you've got Sixteen Candles, which was a fucking bitch of a movie to get through because of the fact that Molly Ringwald spends most of it whining about how her fucking family forgot her birthday. Then you get on to a movie like The Breakfast Club, which is like no high school I've ever fucking been to. What's up with this Molly Ringwald chick, anyway? Is her pussy made of diamonds or something? She's a decent enough actress, sure, but then he casts her again in Pretty in Pink and we're expected to believe she isn't boning Hughes in her free time?
What happened to her, anyway?
["I think she got fat."]
Okay, so Molly Ringwald's now a cow. Anyway, John Hughes. He wants people to believe that Americana is some fucking wonderland of teenage morality or something. Even fuck, what's his name, the kid in the Breakfast Club whose dad beats him up, whatever, he's practically a fucking saint compared to the kids I grew up around.
["Maybe you just had a crappy childhood."]
Look whatever. Point is. John Hughes.
What the fuck is that guy's thing, anyway? I mean then you got Ferris Bueller and the fact that I'm pretty sure that him and his girlfriend were just the psychotic products of that Cameron kid's imagination. I mean you notice that first off, Matthew Broderick spends the whole movie breaking the fourth wall, and the whole fucking town just buys into this playing hooky shit. Anyway.
["You done?"]
Don't fucking tell me you like that Brat Pack crap.
[ooc: Conversation with a bartender.]
[cue music]
Good golly miss Molly, sure like to ball
When you're rocking and a-rolling
Can't hear your mama call
From the early early morning to the early early night
When I caught miss Molly rocking at the house of blue light
Good golly miss Molly, sure like to ball
When you're rocking and a-rolling
Can't hear your mama call.
no subject
no subject
Molly smiles and she radiates the glow around her halo
When she plays, Molly smiles
On a summer day, Molly smiles
A new day, Molly smiles.
no subject
no subject
Running around like a clown on purpose
Who gives a damn about the family you come from?
No givin up when you're young and you want some
no subject
no subject
As the cigarette burns on my chest
I wrote a poem that described her world
That put my friendship to the test
And late at night
Whilst on all fours
She used to watch me kiss the floor
no subject
no subject
Where women glow and men plunder,
Can't you hear, can't you hear the thunder?
You better run, you better take cover.
(no subject)
no subject
no subject
no subject
no subject
["We're not friends. Closing time's in twenty minutes"]
no subject
[ie. Besides White and Orange.]
no subject
no subject
no subject
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
(no subject)
(no subject)